“Autoharp-wielding dark folk alchemist turning trip-hop shadows into avant-garde pop.”
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Curatorial notes
Georgia Knight is a Melbourne-raised, Lyttelton-based songwriter who arrived at music through sculpture and treats the autoharp as the structural foundation for something genuinely unpredictable. Her debut album Beanpole (2025, Poison City) refuses to settle into a single register: it moves from trip-hop pulses and gothic loops to intimate lullabies and rockabilly detours, all threaded through...
