“Former Goat Girl bassist turned solo orchestrator, folding Brazilian warmth and chamber grandeur into unhurried songs that settle like fallen leaves.”
baroque-folkchamber-poporchestral-indiebrazilian-folksub-poplondonpastoral
Curatorial notes
Naima Bock spent her teenage years playing bass in Goat Girl under the name Naima Jelly, part of the South London post-punk wave that also produced black midi and Squid. But where that scene thrived on angularity and speed, Bock was already drawn somewhere quieter. After the promotional cycle for Goat Girl's 2018 self-titled debut, she left the band and effectively disappeared from music —...
